About two weeks ago I was to read couple of my poems published in
Journal of Modern Poetry issue # 16 to an audience of poets at St. Augustine College
Campus. Bhupen and I were about ten to fifteen minutes early. Our venue,
The Chaplin Hall, was occupied by another audience who were intently
listening to a reader at the podium.
We had read a little blurb affixed to the door before entering
the room. The reader’s name is Aleksandar Hemon. He has won many prestigious
grants and accolades. We peeked inside the room and ushered ourselves into
empty seats. I did not know what he was reading from but assumed that it must
be his latest book. In few minutes that I heard him I had no reason to get the
picture of the content and the style of his writing. As a courtesy, we stayed
on.
As he finished reading the excerpts from his creation he began to
sign the books for those among the audience who bought his book. I without
thinking bought one and had it signed by him.
On the way home I was beginning to cuss myself for having
bought the book by an author I had no knowledge of. I knew I was not going to
like it and therefore will not read it. I have been disappointed in almost all
books I have read, especially if they are fictions. Dialogues in any book bore
me to tears.
Well, I started to read this book. I read few pages every time I
read it. And within two readings I began to like his style and the content;
actually I loved it. On the third sitting I was so riveted that I refused to
close the book without finishing it. And finish it I surely did!
It is more or less a memoir of a displaced Bosnian émigré; displaced
from his own country and his adopted country as well; the USA . In his
country due to changing winds and here due to new culture. It is a story of breaking-up
of war riddled nation. It is a story of youths wanting to defy; change the
nation if not the world. It is a story of friendships, experimentation. It is a story of family separated by circumstances. It is a story of colors, smells and sounds
of times of growing up. It is a story of finding semblances of life and then losing it. It is a story of unfathomable tragedy.
Each chapter is a story; a life unto itself.
The stories became intensely absorbing because of the landscape
it created. The backdrop of a society that was closed for so long to outside
world makes it so; a communistic, a rigid, a constrictive society that youths
want to free and change against the powerful regime and yet not want to lose the sense
of where one belonged and came from. This sense of belonging matters profoundly.
While not from such society myself, I still do identify.Most immigrants suffer displacements.
While not from such society myself, I still do identify.Most immigrants suffer displacements.
The author has the style I adore. I have not read one like this
before. I will cite couple of excerpts here. At one point he writes:
"In this city, I had no human network within which I could place
myself; my Sarajevo, the city that had existed inside me and was still in
there, was subject to siege and destruction. My displacement was metaphysical
to the precisely same extent to which it was physical. But I couldn’t live
nowhere; I wanted from Chicago what I’d got from Sarajevo ; a geography of
the soul.”
At another point he writes "……..Peter’s outburst, shocking though
it may have been, made perfect sense to me-not only did he deplore the waste of
words, he detested the moral lassitude with which they were wasted.”
Now this is the language from a
man to whom not only English is a second language, but also the one who knew no
English at all when he arrived in USA .
I can say two things; if I were to
make as good a story in my life as his life made for him I had to live his kind of
life; I have to live in his skin. Second, if I were to write as well as he does, I
will have to be born again.
I am comforted by the
fact that he shares with me the same beautiful skyline of Chicago.
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